19 March 2015

trames - a show in france


several months ago lydia rump [a talented artist in her own right] invited me to make a piece for an exhibition at galerie look & listen in st. chamas, france. truth be told she invited me to come too. and gosh i wish i could. france is on my must visit list. but alas, it is not yet my time. 


the thing i love about making work for a single group show is that it allows for a bit of freedom. a chance to pursue a singular idea that maybe doesn't fit into all the other work you are doing.


i decided i wanted to paint watercolor squares. little ones. that matched some amazing wool merino yarn that i bought when ruth singer [yet another great artist] was in town and we did an east bay textile shop tour. 


the squares and gradation of color reminded me of joseph albers [maybe more of his wife anni actually]... and cross stitch. so i decided to add the thread colors to match. each color shift [there were 4] had one more row of squares. i thought i'd leave the top row clear of stitching and stitch each row beneath. slow going that stitching. 


but totally worth it in the end. 


the space between.
2015
in Trames
opens march 21 [hi spring equinox]

i can't imagine anyone that reads this might go, but... if you do... say hello to my piece.

12 March 2015

looking at art


i cajole my students to look at art. every week - i tell them go look at art over your weekend. what's good for the goose is good for the gander, right? 

i went to see nicole phugrasamee fein's show at hosfelt gallery. she and i were a year apart in grad school. she is the closest living artist i can think of to agnes martin. her watercolors are subtle and amazing. so perfectly imperfect. [but mostly perfect]. 




the highlight of the visit was definitely surabhi saraf's video FOLD


a striking tribute to unacknowledged work [this was skillfully put by my friend kelly inouye -i think you might even hear her say it in the clip below]. this is one of the most stunning and beautiful video pieces i've ever seen. i want it. and for me to say that about video ? hell might be freezing over. 

video



jay kelly

i really wanted to go to the opening for my friends jay kelly and marc d'estout at jack fischer gallery, but i couldn't make it. so i stopped in today instead. 

jay kelly
what a smart pairing. i've known jay for a long time now. when i worked at graystone gallery we showed his work. i loved it then, and i love it now. he recently started making these incredibly quirky sculptures. they are part DIY minimalist, part sci-fi, part oddity... but really engaging.

jay kelly

marc d'estout
marc's work is slicker. more refined, and in some ways edgier... but has a similar quirk to it. such appealing shapes - a great mix of aesthetic proportions and surface tension/design.

the conversation between marc and jay's works was really great. you should see the show if you are local.
marc d'estout


you should also go see single ladies at rare device by my pal courtney cerruti

over and out on the art report...

03 March 2015

what i'm working on


my classes [oh so much grading]

a new class that i'll be teaching in a few weeks called visual literacy.

the workshops for craftcation



a piece that is off to france [this is the backside]



organizing and shipping off the 1000 doilies to their new PERMANENT HOME [do a dance here] at the Ulrich Museum of Art. they decided that the 2 - 1000 doily pieces needed to live together and after a long approval process they were acquired !





a revamp of my website website [finally]



and other things for the chroma show [have you seen all the stuff we are getting? SO EXCITING. we still need more - so keep sending stuff in!]

i had originally intended to do the 1000 doily piece again, but... yeah. now that won't work. so i'm doing a smaller doily installation. most of the images here have to do with it. i'll reveal more shortly.

20 February 2015

a new plea for help


calling all internets. calling all you people who have things lying around your house that are bright and colorful and filling up junk drawers, getting piled by your kids, sitting in dust under the sofa....

christine buckton tillman  and i are having a show [this show has been years in the making. we've known each other online forever and have always talked about doing a show together] in baltimore. at gallery CA. in july. 

and it's called chroma. 
and we need STUFF.
your stuff.  


things are starting to come it [it's like christmas], but we need more. 
there'a blog where you can see what people are sending.

if you think you know what you want to send - then just go ahead mail it to me [please! just know you won't get it back. and it should fit in an envelope. read the post above for all the deets]

lisa solomon
po box 99534
emeryville, ca 94662

the more we get the cooler [and harder, but in a good way] this will be. so please. send us stuff and get your friends to send stuff. 

[did i mention i love how the internet does this? i do. so much. the power of the ask and the way you all respond to these asks is indeed an amazing thing to be a part of].


10 February 2015

There will be teaching + workshops + conferences !!




hello hello. do you know about craftcation? it's a craft vacation conference - chock full of classes, panels, events and all around crafty makey things to do. 

i'm going to be a presenter this year - teaching two courses - color theory for artists/designers and block stamp carving/printing. you can find out more about them on this page. i was kind of excited that they didn't want me to do an embroidery class. i love those, but it will be fun to do something a bit different. 

can i just tell you that i'm so excited [and honored] to be a part of the presenters? i'm going to get to meet some online friends face to face for the first time ! and i can't wait. 

there are a few more days left for early bird sign up. you can buy tickets HERE [through eventbrite]

also coming up is my artist packet class. i'm teaching it at Kala again. it's a two night jam packed quick overview of everything you need to put into your artist packet - including the dreaded artist statement. this is a great class if you are recently graduated and feel like you don't have your packet together, or if you are trying to pull everything together to apply to grad school/a residency or grant.... OR if you have been making and working for awhile and you feel like your packet is rusty and needs an update/overhaul. 

i really love teaching this class - it's one component of the professional practice class that i teach and i always feel like it's the kind of nuts and bolts info that can really help someone get on the right track. 

i'll be doing another embroidery class there too - in may. so mark your calendars if that's something that interests you. 

01 February 2015

lately


i've been drawing fairly frequently in my sketchbook. 
if you look through my YEARS of sketchbooks you will notice a pattern. foliage + pets. pets + foliage. 

there's something about plants -



i just like attempting to simplify a curve of a leaf or a petal in a singular contour line. 
gets me every time.
simple pleasures. 



the magnolias are blooming already. beautiful. i guess they aren't that early this year, but it's been like summer round these parts the last couple of days. i feel bad for all my mid west and east coast friends buried under mounds of snow... 


i can't believe next week is the 2nd week of school. last week was the first. every semester i forget HOW TIRED i am after the first week. all the adrenaline. all the talking.

i have the i am mean and tough speech sprinkled w/ a tad of eccentric art professor down. [i think]. every semester i get a bit more curmudgeonly. every semester i try to really exemplify the fact that i am NO NONSENSE. because really - who wants to waste their time. this time i actually read john cages/sister corita kent's 10 rules out loud. each semester i make my case even shorter. you give what you get. i take this whole art business super serious [but of course i'm more than willing to make fun of it too]. i will give to you with the same intensity you give to me. if you 1/2 ass it, so will i. in a way each of my students gets an individual and incredibly personal experience. so let's do this, right? each year they look younger. each year i feel older. and so on and so on. 

in my professional practice course they have to give short presentations on themselves/their work starting day 2. this freaks them out. but in a very good way. each semester i get giddy with their potential. it is wide open. it/they/we can go in any direction. it's all possible. and it's never the same. just like making work. even if you think you are repeating a process/technique it's actually never quite exactly the same. i think that's the big hook. 

anyway. i'm not the only one drawing round these parts. 


i happen to really love her interpretation of sponge bob. especially how she figured out how to make patrick have a pointy head. it's so direct. and squidward's tiki house is pretty darn great. 


we also collaborated. i started with this mum [yes i know foliage]


and then she went NUTS. 

OH. i was interviewed for this lovely website - she/folk. it's a woman centric space that focuses on dialogue and education. there's a lot there to peruse. 

ok. next post will be a request... [again. some of you already know about this if you follow me on instagram, but... i want to post it here too]. soon...

21 January 2015

in the studio with nike schroeder


nike shroeder is a bad ass. you can see from the photo above that we have similar sensibilities. she also shows with walter maciel gallery and through him we have become friends. 

when i was in LA putting up my show i was lucky enough to visit her studio in downtown LA. there was a lot of swooning and shop talking about threads [how cotton threads lie differently than silk. ah. i might be able to count on 1 hand the people with which i could have this conversation]. 

in the spirit of past in the studio posts i asked nike a few questions. 

thread? love. arranged by color? love even more. 


quick – without thinking what is your favorite color RIGHT NOW?

My favorite color is always a variation of white (I know that it is not really a color but the fact that it is actually all colors is what I love the most)


the detritus is so amazing. 
what is your favorite comfort food?


Sushi!

you were recently included in a book called stitch draw - can you give us any insight to the piece you contributed ?


I did not really know what that book was going to be but I was familiar with Rosie James’ work and really liked it. I trusted her and gave her a bunch of images from which she chose from. She decided on a couple of figurative works out of my fundamental reports series which I showed at Walter Maciel Gallery. She really did all the work….



what book/tv show/song/blog/insert whatever it is here/ is just making you SO happy RIGHT NOW?

www.ignant.de is a Berlin based blog, that I have been reading since they first started. They have grown so much over the years and I find their selection inspiring and well- filtered.

a self portrait ;)


do you have an art/studio routine that makes everything go smoother? Would you share it with us?

don’t have a routine at all! I just go, see what I find and then go with it. 
I guess that makes things easier, just going with it and not trying to force anything planned. I learned that a lot over the years - the best thing that can happen to you are mistakes and embracing them. Otherwise shit’s gonna stay bumpy.

thanks nike. can't wait until you next show and until i see you again.... xo
you can find nike on instagram too. 

12 January 2015

six


the little turns SIX today.
how is that possible? one step closer to BIG kid.


yes. i am THAT parent. the one who can transport back to that moment when i first saw her. tiny. premature. with a pink and blue hat on. bundled in a bunny blanket [you still have an affinity for them. the ones we brought home from the hospital]. the nurse shielded her eyes and she opened them. for one second. not really to look at me, but i took her in. and then they whisked her away.

the first time i held her her head fit in my palm and her feet didn't reach the crook of my elbow. and now...

they [who are "they"] say that having a child both speeds up and slows down time. the days are long the years are quick [that's it right?]. how is it that "they" are so often so right? the rebel in me wants to declare otherwise, but i'd be lying. that's exactly how it feels.


i'd be lying if getting goodies and treats ready for a CLASSROOM [26 students!] is a breeze.

but i'd also be lying if i didn't admit that part of me really likes it.
it's an excuse to wrap, to plan, to bake. she helped put the bags together - it's a chance to talk about sharing, community, the spirit of celebration.


but in the end. it's all for that big huge smile that comes when one is 6 and a cake covered with sprinkles and a hello kitty candle is placed in front of one. yes it is.

01 January 2015

2015 here we go




this time of year generally is like an insane sandstorm. sometimes i feel like i have a homing beacon, something that sounds in the distance, alerting me is i'm off course or right on track. but much of the time i feel as though i'm just caught in storm. i can't see very far in front or behind me. i know big things are coming to a close, grades are due [someone will be disappointed]. i also know the sheer amount of tasking -  the grading, the buying, the wrapping, the mailing, the cooking, the talking [both small and big], the hugging, the unwrapping, the eating, the emotional instability and extra time spent with a semi-dramatic six year old will blindside me.


oh holidays. they stop for no one. there are candles and treats [first gingerbread houses] and trees. 


and dinners, generations gathered - even those no longer technically with us if we count who provided the china and the silverware.  


and somehow there still are moments of pure magic. when your child runs upstairs to emphatically tell you that REINDEER LEFT FOOTPRINTS IN FLOUR [because we have no snow] ON OUR FIREPLACE MAMA !


and in this mix was the slow decline of our beloved tonka. cancer - most likely brain [but who knows for sure. not worth finding out. that sureness would leave nothing changed, nothing fixed]. i've said it before... having pets is one of the most wonderful things in the world. even this part, the end. the part that makes my heart and soul ache and wish for magical powers... even this - standing toe to toe with grief - doesn't ruin it. what it does do, though, is offer up mortality [again] for a closer look. there is no one way, right way, possible way to guess... how one day is just all of a sudden different and worse. and that then you have to do what is right. what is hard. what no one wants to do. and you will stand, as a family, in a cold room and pet your little love until he goes into that place that i can't describe or know, but i'm hoping is a good and happy and warm place. one where we reconnect with other lost loves and no longer have a care in the world.


for reasons i can't even begin to get into 2014 was a year of extremes. some incredible, wonderful, never thought possible things happened [like a new kitchen, a residency in kansas, a museum purchase of my work], and some hard, challenging, and even a few down right miserable things - things i don't want to have to go through - or watch my family go through - EVER EVER again. yeah this happens every year, but for some reason this year they all seemed smushed together; more intense, more urgent, more indescribable, harder to process and harder to maneuver than ever before. it's not that any ONE event was worse, but somehow this is not a year i want to repeat in it's entirety. 

maybe in some ways as we get older we have much more patience and wisdom in some areas and much less tolerance and ability to put up with certain things. at least that's how i'm feeling. 

but oh. but oh it's 2015. it's a new year. a perfectly metaphorically wonderful way to turn that page. to start fresh, to try again, to dream again, to plan and scheme of the next things, to stretch, perhaps to rest a bit, but not too much because god damn i miss the studio. 

happy new year friends.